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									News &amp; Rumors - Forum				            </title>
            <link>https://www.photographypanel.com/news-rumors/</link>
            <description>Photography Panel Discussion Board</description>
            <language>en-US</language>
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                        <title>Sony a7 V to be Announced in early December 2025</title>
                        <link>https://www.photographypanel.com/news-rumors/sony-a7-v-to-be-announced-in-early-december-2025/</link>
                        <pubDate>Sat, 08 Nov 2025 02:08:00 +0000</pubDate>
                        <description><![CDATA[After Canon has officially announced the EOS R6 Mark III, the long awaiting Sony a7 V now confirmed, it will be officially announced in early December 2025.
Sensor:

33MP sensor. It&#039;s unc...]]></description>
                        <content:encoded><![CDATA[<p>After Canon has officially announced the EOS R6 Mark III, the long awaiting Sony a7 V now confirmed, it will be officially announced in early December 2025.</p>
<p><strong>Sensor:</strong></p>
<ul>
<li>33MP sensor. It's unclear if this is the same as the a7IV or a tweaked/partially stacked version. Some rumors point to a faster readout speed.</li>
</ul>
<p><strong>Autofocus:</strong></p>
<ul>
<li>New AI chip, similar to the Sony a1 II, for improved autofocus.</li>
<li>Next-generation AI-powered autofocus.</li>
<li>Improved subject detection, including human, animal, bird, and vehicle.</li>
<li>Real-time Eye Autofocus, also designed to recognize animal eyes.</li>
</ul>
<p><strong>Image Stabilization:</strong></p>
<ul>
<li>8 stops IBIS (In-Body Image Stabilization).</li>
</ul>
<p><strong>Video:</strong></p>
<ul>
<li>4K video recording at various frame rates.</li>
<li>4K 120fps or 6K video capabilities are possible.</li>
<li>4K at 60 frames per second oversampled from 6K.</li>
<li>Potential open gate functionality.</li>
</ul>
<p><strong>Body and Design:</strong></p>
<ul>
<li>Same Sony A7rV body design.</li>
<li>4-way fully articulating screen.</li>
<li>Improved EVF (Electronic ViewFinder), possibly 5.6m dot resolution.</li>
</ul>
<p><strong>Other Features:</strong></p>
<ul>
<li>Improved FPS rate (15fps).</li>
<li>Dual Type A SD card slots.</li>
<li>No C5 button.</li>
<li>Improved dynamic range and low light performance.</li>
<li>Dual-band Wi-Fi (2.4 GHz and 5 GHz).</li>
<li>Customizable menu system inspired by the Alpha 1 Mark II.</li>
</ul>
<p><strong>Price:</strong></p>
<ul>
<li>Around $3000.</li>
</ul>
<p>via: https://www.gearinstock.com/sony-a7-v-pre-order-in-stock-availability-tracker/</p>]]></content:encoded>
						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>ccs32</dc:creator>
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                        <title>Sony a7 V and Canon EOS R6 Mark III, which one will you buy?</title>
                        <link>https://www.photographypanel.com/news-rumors/sony-a7-v-and-canon-eos-r6-mark-iii-which-one-will-you-buy/</link>
                        <pubDate>Tue, 22 Jul 2025 07:20:22 +0000</pubDate>
                        <description><![CDATA[Both are upcoming full frame professional cameras price around $2500. Which one do you think will coming first?]]></description>
                        <content:encoded><![CDATA[Both are upcoming full frame professional cameras price around $2500. Which one do you think will coming first?]]></content:encoded>
						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>TalentedTina</dc:creator>
                        <guid isPermaLink="true">https://www.photographypanel.com/news-rumors/sony-a7-v-and-canon-eos-r6-mark-iii-which-one-will-you-buy/</guid>
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                        <title>Sony announced a1 II and FE 28-70mm f/2 GM Lens.</title>
                        <link>https://www.photographypanel.com/news-rumors/sony-announced-a1-ii-and-fe-28-70mm-f-2-gm-lens/</link>
                        <pubDate>Wed, 20 Nov 2024 01:43:30 +0000</pubDate>
                        <description><![CDATA[Sony Announces Second-Generation Flagship Alpha 1 II
A Combination of High Resolution, Speed, and AI Recognition Designed for Professionals
SAN DIEGO, Nov. 19, 2024 – Today Sony Electronic...]]></description>
                        <content:encoded><![CDATA[<h2>Sony Announces Second-Generation Flagship Alpha 1 II</h2>
<p class="newsLink">A Combination of High Resolution, Speed, and AI Recognition Designed for Professionals</p>
<p>SAN DIEGO, Nov. 19, 2024 – Today Sony Electronics Inc. introduces the Alpha 1 II, its new flagship full-frame camera. This mirrorless camera brings together some of the most requested and beloved features of Sony's high-end camera lineup into one body, designed to be the most reliable and strongest choice for any professional application. The Alpha 1 II combines high resolution, speed, and cutting-edge AI-driven technology to meet the output and workflow needs of professional photographers and videographers. Designed for professionals at the top of their game, the Alpha 1 II is an ideal hybrid tool for photojournalism, wildlife, sports, portraiture, weddings, and commercial work.</p>
<h3>Key features of the Alpha 1 II include:</h3>
<ul>
<li>High-resolution full-frame Exmor RS® stacked CMOS sensor with an approximate effective 50.1 MP (megapixels)</li>
<li>Up to 30 fps (frames-per-second) blackout-free continuous shooting with AF/AE (autofocus/autoexposure) tracking<span class="green">1</span></li>
<li>AI processing unit bringing advanced AI-based subject recognition performance and a new “Auto” recognition mode that automatically detects subjects</li>
<li>High-speed anti-distortion shutter reduces rolling shutter effect for clear undistorted images</li>
<li>Pre-Capture of up to one second<span class="green">2</span><span> </span>and Continuous Shooting Speed Boost</li>
<li>Improved optical image stabilization of up to 8.5 stops (center) and 7.0 stops (periphery)<span class="green">3</span><span> </span>for still images and a new Dynamic active Mode for videos<span class="green">4</span></li>
<li>Updated processing algorithms for improved image noise reduction at mid-to-high ISO sensitivities</li>
<li>Up to 8K 30p / 4K 120p and 10-bit 4:2:2 video recording with Breathing Compensation, Auto Framing, and import User LUTs</li>
<li>Updated ergonomics and a lightweight design of approximately 743 grams (1 lb, 7.3 oz)<span class="green">5</span></li>
</ul>
<p>“The original Alpha 1 was a groundbreaking release in 2021, and since then Sony has continued to raise the bar, year over year. When developing the successor to our esteemed flagship model, we made it our mission to incorporate feedback from the industry and the community of Alpha 1, Alpha 7R V and Alpha 9 III users. The result is a powerhouse of a camera - our highest-performing, most balanced, utilitarian tool on the market,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The Alpha 1 II stays true to the Alpha 1’s foundational core of high resolution and speed but is amplified with a dedicated AI processing unit and enhanced ergonomics. It is sure to be seen as Sony’s strongest and most reliable hybrid camera ever created.”</p>
<h3>High Resolution, Speed, And AI Combination</h3>
<p>The Alpha 1 II camera’s exceptional reliability and versatility arises not just from strength of any single feature, but from the combination of its resolution, speed, and AI capabilities coexisting to amplify one another. Here is a breakdown of each:</p>
<p>High Resolution: The Alpha 1 II produces high-resolution images with a wide dynamic range through the full-frame Exmor RS® stacked CMOS sensor with approximately 50.1 effective MP resolution. This resolution performance is further enhanced by the latest BIONZ XR® image processing engine. With a separate AI processing unit handling many of the subject recognition capabilities, the camera’s image processing engine now has increased bandwidth to enhance other features.</p>
<p>Speed: The camera offers blackout-free high-speed continuous shooting with AF/AE tracking at up to 30 fps<span class="green">6</span>, which can track complex movements with AF/AE calculations at up to 120 times per second<span class="green">7</span>. The camera also includes the highly requested Pre-Capture function, which allows images to be captured up to one second before the shutter button is pressed<span class="green">8</span>. For additional high-speed performance, users can activate the Continuous Shooting Speed Boost feature that can temporarily increase frame rates in high-action moments.</p>
<p>AI Processing Unit: The Alpha 1 II features Sony’s acclaimed AI processing unit, enabling Real-time Recognition AF. This technology strengthens Sony’s legacy of industry-leading auto focus and allows the user to accurately track animals, birds, insects, and various vehicles. It also introduces Sony’s human pose estimation, that instantly recognizes and tracks a person’s head and torso even when they’re moving or looking away. The Alpha 1 II also brings the latest evolution to Sony’s Real-time Recognition AF, featuring a new “Auto” mode that enables automatic subject recognition without the need to select a specific subject mode.<span class="green">9</span></p>
<h3>Stable Performance And Advanced Video Capabilities</h3>
<p>A major advancement of the Alpha 1 II is the improved optical image stabilization of up to 8.5 stops in the center (compared to 5.5 stops on the original Alpha 1) and 7.0 stops in the periphery<span class="green">10</span>. The high-speed anti-distortion shutter minimizes rolling shutter effect, delivering clear, undistorted images. The camera also features updated processing algorithms that reduce noise at mid-to-high ISO sensitivities without sacrificing image detail.</p>
<p>The Alpha 1 II maintains the same impressive video capabilities of its successor with the ability to shoot up to 8K 30p with 10bit 4:2:2 color depth, as well as high frame recording capabilities of 120p for 4K. In addition, it features a newly supported Dynamic active Mode for increased stability of video capture<span class="green">11</span>. The camera has a variety of features that support streamlined video creation including Breathing Compensation, Auto Framing, and import User LUTs capabilities.</p>
<h3>Improved Ergonomics And Workflow Operability</h3>
<p>The Alpha 1 II has been redesigned based on customer feedback including an evolved 3.2-type LCD monitor with a highly requested 4-axis multi-angle that can be freely adjusted to any angle. The Alpha 1 II’s camera body design has improved ergonomics, with many design elements borrowed from the acclaimed Alpha 9 III. Design evolutions include the grip, an enhanced quick release shutter button, and an additional “C5” custom button for added convenience. In addition, the camera is compatible with the VG-C5<span class="green">12</span><span> </span>vertical grip that provides additional ergonomic support and extended battery performance.</p>
<p>For professionals seeking real-time image transfer solutions, the Alpha 1 II supports 2.5GBASE-T via wired LAN. Images and videos can be transmitted via stable, high-speed 5G communication when the camera is paired with Sony’s PDT-FP1 portable data transmitter (sold separately). Additionally, images and videos can be automatically transferred direct to Adobe Lightroom&#x2122; or Google Drive&#x2122; through the latest version of Sony's cloud storage service, Creators' Cloud<span class="green">13</span>.</p>
<p>In a world of expanding technology and increasing AI, the ability to authenticate a photograph is now more critical than ever before. Images captured with the Alpha 1 II will be compatible<span class="green">14</span><span> </span>with Sony’s Camera Authenticity Solution that stores detailed camera information<span class="green">15</span><span> </span>within the image files. This aids media agencies and photojournalists in their growing fight against manipulated imagery and AI-generated fakes. This solution will be available through a separate upgrade license and scheduled after December 2024<span class="green">16</span>.</p>
<h3>Additional Accessories And Plastic-Free Packaging</h3>
<p>For additional battery support, the Alpha 1 II comes with the new BC-ZD1 Dual-Battery Charger that rapidly charges two Z batteries (model NP-FZ100) simultaneously in 155 minutes to full charge<span class="green">17</span>. In addition, the Alpha 1 II includes a new deep-type padded eyepiece cup (model FDA-EP21) accessory for an alternative viewing support option. A standard eyepiece comes attached to the camera by default but can be swapped with the deep pad option based on the user’s preference.</p>
<p>The Alpha 1 II is the first Alpha series camera (excluding ZV series cameras) to use Sony’s Original Blend Material for eco-conscious packaging. The materials used for packaging are a unique mix of bamboo, sugarcane, and recycled paper. This makes the packaging entirely free of plastic<span class="green">18</span>.</p>
<h3>Pricing And Availability</h3>
<p>The Alpha 1 II will be available in December 2024 for approximately $6,499.99 USD and $8,499.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.</p>
<p> </p>
<h2>Sony Electronics Announces Its First Constant F2 Aperture Zoom Lens: The Full-Frame 28-70mm F2 G Master&#x2122;</h2>
<p class="newsLink">The Unique Combination of a Versatile Focal Range, Large F2 Aperture, and Compact Form Factor</p>
<p>SAN DIEGO, Nov. 19, 2024 - Sony Electronics Inc. introduces the 28-70mm F2 G Master, the first1 Sony zoom lens with a constant F2 aperture and 77th lens in the Sony E-Mount lineup. This full-frame lens offers a versatile focal range from 28mm to 70mm while delivering prime-like2 bokeh with its constant F2 aperture. Despite its wide aperture and zoom range, the 28-70mm F2 G Master remains compact, lightweight, and well-balanced, making it ideal for both photography and video applications. This combination of zoom range, large aperture, and compact design makes this an innovative and versatile lens for portrait, sports, wedding, event, and video professionals.</p>
<p>“Our goal with the 28-70mm F2 G Master was to create a high-performing zoom lens that could be a strong single lens alternative to multiple primes,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “We prioritized a lightweight design during the engineering process as we knew that was a critical factor for real-life, practical use. And in a manner that only Sony can do, we were able to deliver a small, standard F2 zoom lens that does not sacrifice image quality. We’re proud to add this to our G Master series and believe it is one of the most innovative lenses ever offered to professionals.”</p>
<h3>Sharp Imagery and Beautiful Bokeh</h3>
<p>The 28-70mm F2 G Master produces extremely sharp corner-to-corner results throughout the entire zoom range, even while shooting wide open at F2. The high-resolution output is made possible by the three XA (extreme aspherical) elements and three aspherical elements built within the lens that minimize aberrations. The lens also features a floating focusing system that helps maintain internal stability. This focusing mechanism enables an impressive minimum focusing distance of up to 14.8 inches (0.38m) throughout the entire zoom range.</p>
<p>Staying true to the G Master lens lineage, the lens’ aperture up to F2 produces extraordinary bokeh, ideal for creating images that showcase a shallow depth of field. The 28-70mm F2 amplifies the G Master bokeh standards through a newly designed 11-blade circular aperture unit. Chromatic aberrations, which cause color fringing within photos, are effectively minimized with three Super ED (extra-low dispersion) elements and one ED element built within the lens. Additionally, Sony’s Nano AR Coating II reduces flare and internal reflections, ensuring clear images, even when strong light sources are present in the frame.</p>
<h3>Compact, Lightweight Design Without Compromising Quality</h3>
<p>The 28-70mm F2 G Master is one of the most advanced mirrorless camera lenses manufactured with a total 20 different lens elements arranged within 14 internal groups. Despite the advanced optical design, the lens remains compact at 3.6 x 5.5 inches (92.9 x 139.8mm) and lightweight at approximately 32.3 ounces (918g). The combination of imaging performance and a compact form factor offers an innovative solution that meets the demands of industry professionals.</p>
<h3>Precise Autofocus Tracking with Instant Response</h3>
<p>Reliable and responsive autofocus is delivered through the lens’ four XD (extreme dynamic) linear motors powered by advanced control algorithms. This smooth performance system provides accurate and quick focus tracking, often essential in many professional use cases like weddings and sports. This lens is fully compatible with Sony’s Alpha 9 III‘s high-speed continuous shooting capabilities of up to 120 frames per second3 with AF/AE (autofocus/autoexposure) tracking, even while zooming.</p>
<h3>Designed for High-Performance Video Shooting</h3>
<p>Along with its F2 aperture, the zoom range of the 28-70mm G Master provides a versatile video option that can cover standard field-of-view shots and tighter compositions up to 70mm. This lens minimizes focus breathing through its build and compatibility with the Breathing Compensation feature on various Alpha bodies4. Its high autofocus performance ensures reliable focus even when recording in high frame rates up to 4K 120p / FHD 240p5. Additionally, the XD linear motors and newly developed aperture unit operates silently, preventing any lens noise from being captured during filming.</p>
<p>The lens is ideal for gimbal use with a minimal zoom extension of approximately .68 inches. The compact form factor and short external zoom helps maintain gimbal balance, even at varying focal lengths. ​</p>
<h3>Operability and Reliability for Versatile Control</h3>
<p>Key control features include Linear Response MF for intuitive manual focusing, adjustable zoom ring torque, and an aperture ring with a click ON/OFF switch. The lens also offers two customizable focus hold buttons, an iris lock switch, and an AF/MF switch. The 28-70mm F2 G Master has an 86mm filter diameter and a convenient window on the lens hood for variable filter adjustments.</p>
<p>For durability, all buttons and switches are sealed with silicone gaskets, and critical areas are designed to resist dust and moisture6. This ensures reliability, even while using in challenging outdoor environments. Additionally, a fluorine coating on the front element repels contaminants for easy cleaning.</p>
<h3>Pricing and Availability</h3>
<p>The 28-70mm F2 G Master will be available in December 2024 for approximately $2,899.99 USD and $3,999.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.</p>]]></content:encoded>
						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>Claire00</dc:creator>
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                        <title>Fujifilm Unveils the Development of its First Filmmaking Camera “FUJIFILM GFX ETERNA”</title>
                        <link>https://www.photographypanel.com/news-rumors/fujifilm-unveils-the-development-of-its-first-filmmaking-camera-fujifilm-gfx-eterna/</link>
                        <pubDate>Tue, 12 Nov 2024 07:38:35 +0000</pubDate>
                        <description><![CDATA[Press release:
 



Achieving rich, true to life visuals with the large format sensorPaving the way for a new era of film production and timeless masterpiece creation








T...]]></description>
                        <content:encoded><![CDATA[<p>Press release:</p>
<p> </p>
<div class="l-mv-area">
<div class="container-wide">
<div class="detail__headline">
<p class="detail__headline__lower">Achieving rich, true to life visuals with the large format sensor<br />Paving the way for a new era of film production and timeless masterpiece creation</p>
</div>
</div>
</div>
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<p>TOKYO, November 12, 2024 – FUJIFILM Corporation announces that it is currently in the process of developing its first-ever filmmaking camera, the “FUJIFILM GFX ETERNA” (GFX ETERNA), with plans for a release in 2025. The “GFX ETERNA” will feature a large format sensor, “GFX 102MP CMOS II HS”, which is approximately 1.7 times larger than a 35mm sensor, and the high-speed image processing engine “X-Processor 5”, enabling filmmakers to capture rich, true to life visuals and have enhanced flexibility in post-production. Both the “GFX 102MP CMOS II HS” sensor and “X-Processor 5” are the latest technologies featured in the mirrorless digital camera “FUJIFILM GFX100 II”, which delivers extraordinarily high image quality with its 102 million pixels.</p>
<p>Fujifilm will showcase the “GFX ETERNA” as a reference exhibit at the comprehensive media event “InterBEE 2024”, which will be held from November 13th to 15th 2024.</p>
</div>
</div>
<div class="c-image -md">
<div class="c-image__body">
<div class="c-image__img"><img src="https://asset.fujifilm.com/www/jp/files/2024-11/c41e944ebe92e7faac0a50a7c9b52542/news_11889_01.jpg" alt="" width="763" height="303" /></div>
<p class="caption">“FUJIFILM GFX ETERNA”</p>
</div>
</div>
<div class="c-paragraph">
<div class="c-paragraph__body m-wysiwyg">
<p>After its founding in 1934, the Fujifilm Group has played an important role in Japan’s film industry by developing and introducing domestically-produced positive film for movies. Through continuous innovation, Fujifilm has expanded its product range to include the motion picture color negative film “ETERNA series” and the cinema zoom lenses “Premista series” and “ZK Cabrio series”. For over 90 years, Fujifilm has been providing reliable products for the film production industry and beyond. In addition to its success with photographic films, cameras and digital cameras, in 2017, Fujifilm introduced the groundbreaking mirrorless digital camera “GFX series”, featuring a large format sensor approximately 1.7 times larger than a 35mm sensor, delivering extraordinarily high image quality. Fujifilm has since made continuous improvement to the “GFX series”, including its video capabilities.</p>
<p>The “GFX ETERNA,” currently in development, is set to revolutionize film production. Leveraging Fujifilm’s expertise and experience in the field of filmmaking, the company will combine the exceptional capabilities of Fujinon lenses with the advanced technology of the “GFX series.” Aptly named “GFX ETERNA,” it aspires to become a driving force in shaping a new era of filmmaking and dedicate to contributing to the creation of timeless cinematic masterpieces.</p>
<p>In addition to the development of the “GFX ETERNA”, Fujifilm is also working on the development of a power zoom GF lens that is optimized for this G mount camera, planned to have actual focal length of 32-90mm, and a mount adapter from G to PL mount lenses, widely employed in film production.</p>
<p>As the demand for producing various types of videos such as feature films, short films, documentaries, and web content continues to grow, there is a growing need in the film production industry for high-quality videos that can be produced quickly and inexpensively. In preparation for the launch of the “GFX ETERNA”, Fujifilm will conduct rigorous field tests, while expanding its product lineup to enhance the “GFX system”. Through these efforts, Fujifilm is committed to contributing to the video production with high-quality and productivity across a wide range of fields.</p>
</div>
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						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>ccs32</dc:creator>
                        <guid isPermaLink="true">https://www.photographypanel.com/news-rumors/fujifilm-unveils-the-development-of-its-first-filmmaking-camera-fujifilm-gfx-eterna/</guid>
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                        <title>Sony a1 II and FE 28-70mm f/2 GM Lens to be Announced on November 19th</title>
                        <link>https://www.photographypanel.com/news-rumors/sony-a1-ii-and-fe-28-70mm-f-2-gm-lens-to-be-announced-on-november-19th/</link>
                        <pubDate>Wed, 30 Oct 2024 07:21:38 +0000</pubDate>
                        <description><![CDATA[According to SAR, Sony will announce a1 Mark II and FE 28-70mm f/2 GM lens on November 19th.
Below are specs of Sony a1 Mark II:

50MP Full-Frame Exmor RS BSI CMOS Sensor (same of the Son...]]></description>
                        <content:encoded><![CDATA[<p>According to SAR, Sony will announce a1 Mark II and FE 28-70mm f/2 GM lens on November 19th.</p>
<p>Below are specs of Sony a1 Mark II:</p>
<ul>
<li>50MP Full-Frame Exmor RS BSI CMOS Sensor (same of the<span> </span>Sony A1)</li>
<li>Sony A9III body</li>
<li>New AI chip</li>
<li>faster frame rate and faster autofocus</li>
<li>More expensive than the current<span> </span>Sony A1</li>
<li>New CFexpress Type A with 4.0 standard (doubles the speed)</li>
<li>C2PA support for content authentication.</li>
<li>Availability in early 2025 only</li>
</ul>
<p>FE 28-70mm f/2 GM lens will cost around $3000, and much compact than Canon RF 28-70mm f/2L USM lens.</p>
<p>VIA: <a href="https://www.sonyalpharumors.com/sony-a1ii-and-maybe-28-70mm-f-2-0-gm-will-be-announced-on-november-19/" target="_blank" rel="noopener">SAR</a></p>]]></content:encoded>
						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>Ren_ee4</dc:creator>
                        <guid isPermaLink="true">https://www.photographypanel.com/news-rumors/sony-a1-ii-and-fe-28-70mm-f-2-gm-lens-to-be-announced-on-november-19th/</guid>
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                        <title>Canon RF-S 7.8mm f/4 STM Dual Lens Announced !</title>
                        <link>https://www.photographypanel.com/news-rumors/canon-rf-s-7-8mm-f-4-stm-dual-lens-announced/</link>
                        <pubDate>Wed, 30 Oct 2024 04:51:49 +0000</pubDate>
                        <description><![CDATA[Canon Introduces the RF-S7.8MM F4 STM Dual Lens: Expanding Capabilities for VR and 3D Content Creators



MELVILLE, NY, October 30, 2024 – Canon U.S.A., Inc., a leader in digital imaging...]]></description>
                        <content:encoded><![CDATA[<div class="title">
<h1 class="  js-reference-id title-cmp standard-component-padding standard-component-spacing ">Canon Introduces the RF-S7.8MM F4 STM Dual Lens: Expanding Capabilities for VR and 3D Content Creators</h1>
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<p><strong>MELVILLE, NY, October 30, 2024</strong><span> </span>– Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the new RF-S7.8mm F4 STM DUAL lens, designed for social media content creators and enthusiast videographers. Compatible with the Canon EOS R7 and the latest addition to the growing EOS VR System lineup, this innovative lens offers a practical and affordable way to explore storytelling in the expanding world of VR and 3D content creation.</p>
<p>Previewed at Apple’s WWDC (Worldwide Developers Conference) 2024 keynote, this lens has been crafted for those looking to explore new visual formats, particularly with the rising interest in spatial video content. The 7.8mm focal length and 60-degree angle of view provide an immersive field of vision, for capturing detailed 3D content, allowing creators to deliver captivating and lifelike visual experiences.</p>
<p>Making VR and 3D content creation accessible to a wider audience, Canon has designed the RF-S 7.8mm F4 STM DUAL lens with a focus on simplicity. Even with its advanced features, the lens operates much like a traditional 2D RF-mount lens, with a straightforward workflow that empowers even newcomers to VR and spatial production to achieve impressive results. After capturing video with this interchangeable lens, users can leverage the EOS VR Plug-in for Adobe® Premiere® Pro to convert footage to 3D 180° VR, or the EOS VR Utility software (separately available with a paid subscription) to convert the footage into 3D 180° VR, 3D Theater, and spatial video ready to be experienced on devices like Apple Vision Pro and Meta Quest 3, offering a seamless transition from camera to immersive viewing.</p>
<p>Compatible with the Canon EOS R7 camera body, the high-speed autofocus and high-resolution image sensor, coupled with Canon’s renowned color science, effortlessly captures detailed VR content and Spatial videos whether you’re shooting in controlled environments or on the go.</p>
<p>“With the RF-S7.8mm F4 STM DUAL lens, Canon is not only providing a new visual tool but also enhancing the way creators communicate using emerging VR, spatial and 3D technologies,” said Hiroto Kato, vice president, Imaging Products &amp; Solutions at Canon U.S.A., Inc. “This lens allows users to capture immersive content, bridging the gap between traditional content creation and the latest in VR and Spatial imagery. It’s an exciting step forward in making high-quality 3D content more approachable for everyone.”</p>
<p>As the demand for VR content continues to climb, the need for user-friendly 3D imaging equipment becomes increasingly important. The RF-S7.8mm F4 STM DUAL lens is designed to meet this demand, working seamlessly with devices from Apple Vision Pro to Meta Quest 3, lowering the barriers to creating 3D images, making immersive content more accessible for anyone, from casual hobbyists to dedicated enthusiasts.</p>
<p><strong>Pricing and Availability</strong></p>
<p>The Canon RF-S7.8mm F4 STM DUAL lens is scheduled to be available in November 2024 for an estimated retail price of $449.99*.</p>
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						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>Ren_ee4</dc:creator>
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                        <title>Canon Announces RF 70-200mm f/2.8L IS USM Z, RF 24mm &amp; 50mm f/1.4L VCM Lenses</title>
                        <link>https://www.photographypanel.com/news-rumors/canon-announces-rf-70-200mm-f-2-8l-is-usm-z-rf-24mm-50mm-f-1-4l-vcm-lenses/</link>
                        <pubDate>Wed, 30 Oct 2024 04:48:07 +0000</pubDate>
                        <description><![CDATA[Expanding the Range of Expression: Canon Announces Three New L Series Hybrid Lenses



MELVILLE, NY, October 30, 2024 – Canon U.S.A., Inc., a leader in digital imaging solutions, has ann...]]></description>
                        <content:encoded><![CDATA[<div class="title">
<h1 class="  js-reference-id title-cmp standard-component-padding standard-component-spacing ">Expanding the Range of Expression: Canon Announces Three New L Series Hybrid Lenses</h1>
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<p><strong>MELVILLE, NY, October 30, 2024 –<span> </span></strong>Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the launch of three new RF L series hybrid lenses: RF24mm F1.4 L VCM, RF50mm F1.4 L VCM and RF70-200 F2.8 L IS USM Z. Designed for professional visual storytellers who need to switch between photography and video, these three lenses continue Canon’s steadfast commitment to meeting the demands of high-level photo and video content creators.</p>
<p><strong>RF24mm F1.4 L VCM &amp; RF50mm F1.4 L VCM</strong></p>
<p>If you are on a quest for impressive, dramatic content, RF24mm F1.4 L VCM and RF50mm F1.4 L VCM lenses would be excellent additions to your gear bag. For those who are professional photo/video users, journalists or in-house production creators, these two lenses are designed for hybrid use and optimized for those switching from photo and video needs quickly. They feature an optical design that utilizes the RF mount to achieve high quality across the entire image area. Quiet, fast and precise AF are thanks to Canon’s latest actuator and focusing system and the unified exterior helps with easier gimbal adjustments for more efficient shooting. The expressive power of a f/1.4 aperture in combination with a wider field of view than what the human eye can capture, makes perspective more prominent and brings images vividly to life. Additional features include:</p>
<ul>
<li>Compact, with a length of 3.9 inches, and lightweight: RF24mm F1.4 L VCM is 18.1 ounces and RF50mm F1.4 L VCM is 20.4 ounces</li>
<li>With a combination of VCM and Nano USM actuators, stable video composition with little breathing</li>
<li>Customizable with an iris ring for controlling aperture during shooting, lens function button and customizable control and focus rings</li>
</ul>
<p><strong>RF70-200 F2.8 L IS USM Z</strong></p>
<p>A telephoto lens that is versatile across the spectrum – including sports, fashion and news reporting – the RF70-200 F2.8 L IS USM Z is an RF L series lens that takes into consideration functions end-users value most. Taking the same exterior case design and internal mechanics of the RF24-105mm F2.8 L IS USM Z, the RF70-200 F2.8 L IS USM Z lens balances well as a companion on gimbals and rigs. Compatible with extenders, the RF70-200 F2.8 L IS USM Z produces high-quality images with its large f/2.8 zoom aperture and has minimal focus breathing, ideal for content creators. Its iris ring enables fine-tuned video recording and its compatibility with power zoom adapters makes it a strong addition for video production needs. Additional features include:</p>
<ul>
<li>Close up shooting with a maximum magnification of 0.3x</li>
<li>Image stabilization equal up to 5.5 stops in the center on the lens alone, or up to 7.5 stops in the center, up to 7.0 stops in the corners in coordinate control within-body IS</li>
<li>Dust and drip resistant construction as well as light weight at approximately 1,100 grams</li>
</ul>
<p><strong>Pricing and Availability</strong></p>
<p>The Canon RF24mm F1.4 L VCM and RF50mm F1.4 L VCM lenses are expected to be available in December at estimated retail price of $1,499.00<sup>*</sup><span> </span>and $1,399.00,<sup>*</sup><span> </span>respectively. The Canon RF70-200 F2.8 L IS USM Z lens is expected to be available in November at estimated retail price of $2,999.00<sup>*</sup>.</p>
<p><img src="https://static.bhphotovideo.com/explora/sites/default/files/styles/960/public/canon-announces-new-hybrid-lenses-ts.png" /></p>
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						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>Ren_ee4</dc:creator>
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                        <title>Nikon is developing NIKKOR Z 28-135mm f/4 PZ Lens</title>
                        <link>https://www.photographypanel.com/news-rumors/nikon-is-developing-nikkor-z-28-135mm-f-4-pz-lens/</link>
                        <pubDate>Wed, 30 Oct 2024 04:44:04 +0000</pubDate>
                        <description><![CDATA[Nikon is developing the NIKKOR Z 28-135mm f/4 PZ, a standard zoom lens for the Nikon Z mount system
A Lens with Power Zoom for Video Creators
MELVILLE, NY (October 30, 2024) Nikon Inc. is ...]]></description>
                        <content:encoded><![CDATA[<h2>Nikon is developing the NIKKOR Z 28-135mm f/4 PZ, a standard zoom lens for the Nikon Z mount system</h2>
<p class="newsLink">A Lens with Power Zoom for Video Creators</p>
<p>MELVILLE, NY (October 30, 2024) Nikon Inc. is pleased to announce the ongoing development of the NIKKOR Z 28-135mm f/4 PZ, a standard zoom lens that is compatible with full-frame/FX-format mirrorless cameras for which the Nikon Z mount has been adopted.</p>
<p>The NIKKOR Z 28-135mm f/4 PZ is a standard zoom lens with power zoom that covers the focal range from 28mm to 135mm. It is designed to provide ease of use and superior optical performance for video recording, supporting efficient recording for documentaries and location work by a solo videographer or small crew.</p>
<p>Nikon will continue to pursue a new dimension in optical performance while meeting users' needs, contributing to the development of imaging culture, with the hope of expanding possibilities for imaging expression.</p>
<p><img src="https://www.dpreview.com/files/p/articles/6677722798/Nikkor_Z28-135_4_PZ_rendering.jpeg" /></p>]]></content:encoded>
						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>Ren_ee4</dc:creator>
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                        <title>Sony to Announce a New Camera on November 19, a7 V or a1 II?</title>
                        <link>https://www.photographypanel.com/news-rumors/sony-to-announce-a-new-camera-on-november-19-a7-v-or-a1-ii/</link>
                        <pubDate>Thu, 24 Oct 2024 14:12:44 +0000</pubDate>
                        <description><![CDATA[According to SAR, Sony is planning to announce a new full frame mirrorless camera on November 19th, and could also a new FE 24-70mm f/2 GM lens.
So which full frame mirrorless camera do you...]]></description>
                        <content:encoded><![CDATA[<p>According to SAR, Sony is planning to announce a new full frame mirrorless camera on November 19th, and could also a new FE 24-70mm f/2 GM lens.</p>
<p>So which full frame mirrorless camera do you think it will be? a7 V or a1 II?</p>]]></content:encoded>
						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>B_6660</dc:creator>
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                        <title>Canon RF 24mm f/1.4L VCM, RF 50mm f/1.4L VCM, RF 70-200mm f/2.8L IS USM Z to be Announced on October 30</title>
                        <link>https://www.photographypanel.com/news-rumors/canon-rf-24mm-f-1-4l-vcm-rf-50mm-f-1-4l-vcm-rf-70-200mm-f-2-8l-is-usm-z-to-be-announced-on-october-30/</link>
                        <pubDate>Wed, 16 Oct 2024 13:36:46 +0000</pubDate>
                        <description><![CDATA[Canon USA has just teases three new RF lenses coming on October 30th.

Canon RF 24mm f/1.4L VCM
Canon RF 50mm f/1.4L VCM
Canon RF 70-200mm f/2.8L IS USM Z]]></description>
                        <content:encoded><![CDATA[<p>Canon USA has just teases three new RF lenses coming on October 30th.</p>
<ul class="wp-block-list">
<li>Canon RF 24mm f/1.4L VCM</li>
<li>Canon RF 50mm f/1.4L VCM</li>
<li>Canon RF 70-200mm f/2.8L IS USM Z</li>
</ul>
<p><img src="https://www.canonrumors.com/wp-content/uploads/2024/10/canonrf24L50L.png" /></p>
<p><img src="https://www.canonrumors.com/wp-content/uploads/2024/10/october31.jpg" /></p>]]></content:encoded>
						                            <category domain="https://www.photographypanel.com/news-rumors/">News &amp; Rumors</category>                        <dc:creator>66674</dc:creator>
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