Totally agree! I've shot Fuji for years and honestly, a Hoya 39mm UX II UV Filter plus a Gordy’s Camera Straps Leather Wrist Strap are literally all you need. Super affordable too!!

Sooo congrats on the X-Pro3, dude! Seriously one of the best looking cameras out there. I've been shooting with mine for a while now and honestly, I went through a few different setups before finding what actually works without ruining the rangefinder vibe. For the strap, if you want that classic look but need it to be practical, I'd suggest the Peak Design Leash Camera Strap Black. It’s around $45 and the quick-release anchors are a lifesaver when you wanna swap to a wrist strap like the Peak Design Cuff Camera Wrist Strap. Ngl, a thick leather neck strap looks cooler for photos, but the Peak Design stuff is just way more functional for real-world usage cuz you can adjust the length in two seconds. Regarding the filters, remember that most Fuji primes (like the f/2 WR series) aren't fully weather-sealed until you put a filter on the front. I'm super satisfied with the B+W 43mm XS-Pro Clear MRC-nano 007 Filter. It’s basically invisible and provides that extra layer of security without degrading your shots. It's totally worth the $50 investment to protect your glass from dust and rain. I also highkey recommend the Fujifilm LH-XF35-2 Lens Hood if you're using the 35mm f/2. It adds to that vintage aesthetic and gives some extra physical protection from bumps. Basically, keep it simple... the beauty of the X-Pro3 is how minimal it is! Good luck with the new rig. 👍

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Totally agree that keeping the footprint small is key for this body. Honestly, when I first got mine, I did a massive deep dive into the market, comparing the high-end Japanese artisan labels against the more utilitarian gear companies. There’s a huge difference in how they approach the "rangefinder" aesthetic. I found that the boutique makers usually focus on the tactile feel—like the way the leather ages—whereas the bigger tech-focused brands are all about the specs and weight distribution. In my experience, I realized that the light transmission data on filters actually matters more than the marketing hype suggests. I spent weeks looking at charts before picking my current glass. I eventually went with a high-transmittance protector because the multi-coating was technically better at ghosting resistance during night shoots. For the strap, I learned the hard way that cheap leather can bleed dye onto your shirt if it's not tanned properly. My current setup uses a specific type of high-tensile rope I found after researching load-bearing specs—it’s super minimal but way over-engineered for a camera this size. It’s all about finding that balance between the technical specs and that vintage vibe.