ngl casino_zsen is totally right to be a bit wary about what you are putting on that body. i am still kinda new to this whole film thing but i learned the hard way that older third party glass can be a real gamble compared to original nikkor lenses. i was so happy when i found this cheap off-brand zoom at a thrift store last year... thought i scored big time. then i tried mounting it and the aperture ring felt like it was grinding against the camera body. it was terrifying tbh. i stuck to original nikon glass after that and i have been way more satisfied with the reliability. honestly even if the specs look similar on paper those older third party lenses sometimes have weird mechanical tolerances that can scratch your mount or just jam up. it is just not worth the stress imo. better to play it safe with the stuff nikon actually made for their own cameras so you dont end up with a broken mount or a lens that wont come off... much better peace of mind.

.

Hey there! I totally get the lens paralysis – the F-mount is a *deep* rabbit hole! I've been shooting Nikon film bodies (including a ZR!) for years, so maybe I can help. For your budget and shooting style, I'd actually suggest looking at the Nikkor 28mm f/2.8 AIS. Hear me out!

While it's wider than your initial 35-50mm, it's incredibly versatile for street photography. It forces you to get a little closer to your subject, which can lead to more engaging shots. Plus, it's still plenty usable for portraits, especially environmental ones where you want to show the subject in their surroundings.

Specifically, the AIS version is important. The earlier versions aren't bad, but the AIS has better coatings and is generally sharper. You should be able to find one in excellent condition for well under $200. I picked up mine for $120 a couple of years ago! Plus, the focusing throw is nice and smooth, making manual focus a breeze.

I've tried many different lenses on my ZR, from the 50mm 1.8 to a 35-70mm zoom. The 28mm just felt the most natural and fun to use. It's small, light, and the image quality is fantastic. I always found the 50mm a little too tight on the ZR, but that's just personal preference.

Anyway, just a thought! It's a bit outside the box, but might be worth considering. Let me know if you have any other questions – happy to help if I can!

Hey! Glad to see another ZR shooter! Before diving into lenses, double-check your ZR's light seals; old ones can leak and ruin your shots. For street/portraits, the 35mm f/2 D is a solid choice, but be careful with older lenses, as fungus can be a problem. Inspect thoroughly before buying, especially the rear element. Third-party lenses like Sigma can be great, but compatibility can be hit-or-miss on older bodies. I'd suggest sticking with Nikkor glass for your ZR, and perhaps visit a local camera shop for a hands-on inspection. Good luck!

Hey! Lens hunting can be tough! Over the years, I've found the older 50mm f/1.8 Nikkors (the AI or AI-S versions, not just the Series E) offer incredible bang for your buck. They're usually under $100, super sharp, and built like tanks. Don't get too hung up on needing autofocus; with a little practice, manual focus is quick and easy. Spend the money you save on film! Feel free to ask if you want to know how to spot a good used copy!

Hey! Picking a lens for your ZR is super exciting, but before you jump in, let's talk safety! Seriously, old lenses can sometimes have radioactive elements (thorium oxide) in the glass. It's mostly a concern with *really* old lenses (like pre-1970s) and long exposures, but still worth knowing!

I know it sounds crazy, but a Geiger counter can detect it! If you're buying vintage, a quick check is smart, or just research online for that specific lens model. Even without radioactivity, some older lenses can have lead in the glass coatings. Always wash your hands after handling them, especially before eating. These are really minor issues, but I thought it was worth mentioning! Have fun and happy shooting! Let me know if you have any questions!