Since you’re in NYC, you might wanna compare these two routes if the Hassy hunt fails:

1. Fujifilm GFX 100 II: Pros: Way easier to find in stock at B&H right now, better autofocus, and more lens options for landscapes. Cons: You lose that specific Hasselblad color science and the leaf shutter workflow.

2. Renting the Hasselblad X2D 100C: Look at Lensrentals or a local NYC house like CSI. Pros: Guaranteed for your trip dates, way cheaper than buying upfront, and you can test it before dropping $8k. Cons: You don't get to keep it after Iceland.

Tbh, if the trip is the priority, I'd just rent. Trying to find a retail unit in two weeks is gonna be stressful, and the Fuji is a solid backup if you just need that 100MP detail.

I definitely agree with the sentiment that you shouldnt just settle for another system if your heart is set on that specific look. Having lived with the Hasselblad X2D 100C for a while now, I can tell you that the long-term ownership experience is fundamentally different from shooting with a GFX or high-end full frame. Here is why the hunt is actually worth the effort for your landscape work in the long run:

• The Hasselblad Natural Colour Solution (HNCS) is not just marketing fluff. It saves hours in post-processing because the tonal transitions are incredibly smooth. For Icelands mossy lavas and complex blues, it is unbeatable.
• The 16-bit color depth provides a level of gradation that you really only appreciate when you start pushing those heavy shadows in your landscape files.
• The 5-axis 7-stop in-body image stabilization (IBIS) is arguably the best in the medium format world right now. It makes shooting handheld at slower shutter speeds totally viable, which is a lifesaver when you are hiking and dont want to lug a tripod everywhere. Anyway, keep calling those smaller authorized dealers. The supply is tight because they prioritize quality over mass production, but once you see those 100MP files, the wait will feel worth it.

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Hey! Honestly, I'd try calling smaller, independent camera stores. They sometimes get stock that the big guys don't. I actually found my X1D II that way (before I upgraded!), at a tiny shop in Connecticut. Worth a shot calling around the NYC area. Also, check out used markets like KEH or even Fred Miranda forums. You might get lucky! I totally get the Iceland rush, it's amazing there, but don't let the pressure make you overpay!

Hey there!

I totally get the frustration of hunting down hard-to-find gear, especially with a trip looming! While checking smaller stores is a great tip (as mentioned in the other reply), have you considered *why* the X2D II 100C is so scarce? It's not just general supply chain issues, although those don't help.

From what I've pieced together (and this is just my understanding, so take it with a grain of salt), the 100MP sensor itself is a key bottleneck. It's a specialized piece of tech, and there might be limited production capacity or yield issues affecting supply. Basically, Hasselblad can only get so many sensors at a time.

That said, if you absolutely *need* a medium format camera for Iceland and the X2D II 100C proves impossible to find in time, you might want to consider renting one, or even looking at other medium format options, at least as a backup plan? For example, the Fujifilm GFX100S is more readily available, and while it's a different system (and IMO, not *quite* as nice as the X2D), it still offers incredible image quality and that medium format look. Renting is a good option to explore.

Another thing to keep in mind: be careful about buying from unauthorized dealers, especially online. There are some sketchy retailers out there that might be selling grey market units or even outright scams. Make sure any dealer you consider is an authorized Hasselblad reseller to ensure you get a proper warranty and support.

Finally, I would suggest setting up alerts on those websites you've been checking (Adorama, B&H, etc.). They might get small batches in stock randomly, and an alert could give you a head start. I hope this helps, and good luck securing that X2D II 100C in time for your trip! Feel free to ask if you have any more questions.

Hey there!

I totally get the desire to get your hands on that X2D II 100C before your Iceland trip! Everyone's suggesting finding one, but have you REALLY considered the cost-benefit of getting it *right now* versus maybe waiting a bit? I mean, it's a serious investment, right?

Okay, so here's my take: While having the latest and greatest is tempting, especially for a trip like that, think about whether the improvements over, say, renting a comparable medium format system (or even using a high-end full-frame that you might already have with great lenses) are *worth the premium* for this specific trip. You could potentially rent a Hasselblad system or even a Fujifilm GFX system for your Iceland trip for a fraction of the cost of buying that X2D II outright.

Also, another thing to consider is the learning curve. Are you going to have enough time to really master the camera before your trip? A complex camera with a new menu system and workflow is not what you want to be figuring out while you're trying to capture the Northern Lights, trust me!

If you *really* want the X2D II and are dead-set on buying, I'd honestly put your name on every waiting list you can find and then just focus on planning your trip with a backup camera solution. You might get lucky, and if not, you'll still have an amazing trip and can get the Hasselblad later.

Another thing, have you checked used markets? Places like KEH or even the MPB can sometimes have gems available. They're usually pretty good with their ratings and return policies too, so it's a relatively safe bet. It's worth a look! You might save a bundle, which you can then put towards, well, Iceland!

Hope this helps! Think about the bigger picture (pun intended!) and what's best for your overall photography goals and budget. Feel free to ask questions.

Hey there!

While everyone's focused on *finding* one, I think it's worth a quick pause to consider safety and reliability, especially heading to Iceland. I've had issues with new cameras and unforgiving environments, unfortunately.

Honestly, if you absolutely need it for the trip, maybe consider renting one first? That way, you're not stuck with a potentially faulty camera in the middle of nowhere. Plus, you get to REALLY test it out before dropping that kind of cash. There are some reputable rental places that specialize in high-end gear. It would let you make SURE you want to proceed.

Also, I think it's worth checking with Hasselblad authorized service centers about known issues. They might have some insights on things to look out for with a new X2D. Better safe than sorry! Hope this helps!